We are delighted to announce that Ruth Rogers, “one of the most gifted young violinists in Britain”, and previous performer at Sherborne Abbey Festival (most recently with the Iuventus Quartet and Sir James and Lady Galway), has agreed to join the Festival as Artistic Advisor. She will lend her considerable experience of classical artists to the 2017 event and the Festival is honoured to work with her.
Read Ruth’s biography below and find out more about her at www.ruthrogers.net
Born in London in 1979, Ruth Rogers began violin lessons at the age of five. In 1997 she was awarded a Foundation Scholarship to the Royal College of Music to study with Itzhak Rashkovsky, where she won many major prizes and awards. Ruth graduated in 2001 with First Class Honours and was awarded the Tagore Gold medal – the College’s highest accolade – by HRH The Prince of Wales. Further study followed in the Netherlands with Herman Krebbers.
As a soloist, Ruth’s playing has been described as “not calculated in any sense, her performance style and technique so assured that the music flows as a natural consequence of innermost understanding. Ruth Rogers must be one of the most gifted young violinists in Britain.” (Musical Opinion.) Winner of the prestigious Manoug Parikian Award and chosen as a 2004 Young Artist by the Tillett Trust, Ruth also reached the Finals of the YCAT competition, Royal Overseas League, and the BBC Radio 2 Young Musician of the Year. She gave her London debut recitals at the Wigmore Hall and the Purcell Room in 2003 and has also appeared as a soloist at the Royal Albert Hall, St John’s Smith Square and many other venues.
From 2008 until 2012 Ruth was the co-leader of the Bournemouth Symphony Orchestra. Ruth also performs with the John Wilson Orchestra. In March 2015 Ruth was appointed as one of the Leaders of the London Mozart Players. She regularly guest leads the Scottish Chamber Orchestra, City of Birmingham Symphony Orchestra, BBC Philharmonic Orchestra, Royal Scottish National Orchestra and Aurora Chamber Orchestra and has appeared in principal roles with the Hallé, Philharmonia and RLPO. She has led orchestras under the batons of such maestros as Lorin Maazel, Daniele Gatti, Sir Colin Davis and Sakari Oramo, and has performed concertos with the City of London Sinfonia, City of Oxford Orchestra, London Strings, and New London Soloists Orchestra.
As chamber musician, Ruth has performed at the Aldeburgh and Bath Festivals with the Tate Ensemble and with pianist John Lill in Shostakovich’s piano quintet. She is a member of the Iuventus String Quartet and the Aquinas Piano Trio and has appeared at the Wigmore Hall with the Nash Ensemble. In February 2009 Ruth reached the final of an International Duo Competition with Martin Cousin – the Franz Schubert and Modern Music International Competition which took place in Graz, Austria. They were one of five duos in the final, chosen from thirty-seven participating duos.
Ruth was chosen personally by Lorin Maazel to perform with the tenor Andrea Bocelli in a series of concerts, which has led to television and radio broadcasts and further concerts worldwide at such venues as the Pyramids in Cairo, the Acropolis in Athens, and the Piazza del Campo in Siena. They performed together at the Royal Albert Hall with the English Chamber Orchestra for the Classical Brit Awards. Ruth has given recitals at the Brighton, Buxton, Harrogate and Warwick Festivals thanks to the Tillett Trust. She has given recitals with Martin Cousin in Indonesia and Thailand.
In 2006 Ruth played to orphans, refugees, malaria patients and land-mine victims on the Thai-Burma border and in 2008 she went back there again with the Iuventus Quartet. In February 2006, Ruth’s debut recital CD was released. Recorded with pianist Sarah Nicolls, it features works by Handel, Elgar, Ginastera, Massenet, Fauré, Kreisler and Kroll. The CDs are £10 each and you can order copies by emailing email@example.com with your name, address, telephone number, and the number of copies requested. Proceeds from the CD sales will go to help those in need on the Thailand-Burma border. Ruth has also recorded Piazzolla’s ‘History of the Tango’ with guitarist Morgan Szymanski, and released several discs as a member of the Aquinas Piano Trio.
There will be a celebratory Music and Dance Festival in Sherborne, Dorchester and surrounding villages from 19 to 21 August 2016. The programme of events will include Folk Groups from three European countries, plus Wessex Morris Men, Treacle Eater Clog and the Yetminster Irish Dancers and many more.
Friday 19 August: FREE EVENTS
Dance Lessons for Children, folk culture discussions, Live performances in Sherborne and villages, evening Open Mike sessions in Sherborne Pubs, The Crown and The White Hart.
Phone Mary 01963 251255 to reserve places on Dance Classes.
Phone Kevin 07825 152251 for information on Workshops
Saturday 20 August: FREE EVENTS
Dance lessons for adults, Workshops, Discussions, Live performances around Sherborne, an afternoon Fair in Pageant Gardens (food and drink stalls, bring a picnic), Gala concert (Tickets for Gala from TIC & Winstones)
Sunday 21 August:
Discussions, workshops, touring and social
The Three Day Programme can be found at this link: Programme summary
Much Ado at the Festival to celebrate Shakespeare’s 400th Anniversary
With nationwide excitement building for the 400th Anniversary of the death of William Shakespeare, and cities around the country planning major events, Sherborne is playing its part on Tuesday 3rd May when one of the world’s most accomplished and innovative early music vocal ensembles, Stile Antico, performs The Touches of Sweet Harmony (The Musical World of William Shakespeare) at Sherborne Abbey.
Working without a conductor, Stile Antico’s twelve members have thrilled audiences throughout Europe and North America with their fresh, vibrant and moving performances of Renaissance polyphony. Its bestselling recordings on the Harmonia Mundi label have earned accolades including the Gramophone Award for Early Music. The group enjoys a particularly close association with the Wigmore Hall, and has appeared at the BBC Proms, Buckingham Palace, the Amsterdam Concertgebouw, the Cité de la Musique, the Palais des Beaux-Arts and the Luxembourg Philharmonie.
Assembling a centenary programme in honour of The Bard presents more challenges than one might expect: given the extent to which we can assume Shakespeare was well acquainted with the leading musical figures of his day, there are surprisingly few surviving contemporaneous settings of his words. The programme includes just two such rare works by Thomas Morley and Robert Johnson, composers with whom Shakespeare very likely collaborated. These pieces survive only as solo lute songs but they have been arranged into four vocal parts from the lute tablature for this programme – a practice which was in fact commonplace at the time.
These are complemented by works by leading contemporary composers Nico Muhly and Huw Watkins, commissioned especially for Stile Antico by Wigmore Hall, which also set Shakespeare’s words. The remainder of the programme is structured around Shakespeare’s two royal patrons, Queen Elizabeth I and King James I; the first half is devoted to works from Elizabeth’s reign, and the second to Jacobean music. Each half includes a pair of works demonstrating loyalty to the monarch. Byrd’s well-known anthem O Lord, make thy servant Elizabeth finds him at his most lush and ingratiating, alternating between five-part and even more colourful six-part counterpoint, before concluding with one of the most sublime ‘Amen’ settings of the English renaissance. Dowland’s good-natured, madrigalian tribute to the Virgin Queen is a touch more irreverent, if affectionately so; nonetheless, his relationship with Elizabeth’s court was not always a happy one. The pair of anthems by close contemporaries Tomkins and Weelkes (Be strong and of good courage and O Lord, grant the King a long life) were almost certainly performed at James I’s coronation.
This is a unique opportunity to join in the nation’s excitement for Shakespeare’s anniversary, by experiencing the music and lyrics of his time – the performance starts at 7.30pm on Tuesday 3rd May and tickets are available from £10 online at www.sherborneabbeyfestival.org or from Sherborne Tourist Information Centre
“…an ensemble of breathtaking freshness, vitality and balance” New York Times
‘The singing is staggeringly beautiful’ Sunday Times
Photo: Marco Borggreve
STILE ANTICO ORIGINS: The term ‘stile antico’, pronounced STEE-lay an-TEE-co, literally means ‘old style’. It was coined during the seventeenth century to describe the style of Renaissance church composition epitomised by the music of Palestrina – polyphonic and imitative in texture, even in rhythm, strictly controlled in its use of dissonance – as opposed to the modern developments in the works of Monteverdi and his contemporaries. Over the centuries, the ‘stile antico’ came to be seen as an ideal of musical purity, and composers such as Beethoven, Schumann, Liszt and Bruckner studied it as part of their training. It is still taught in universities today.